Personal Shopper - neuer Trailer!

19. Januar - come to us! :) #PersonalShopperSource

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"Die 10 besten Performances von Kristen Stewart"

Eigentlich ist es unmöglich bei Kristens Filmen 10 Favouriten beziehungsweise ihre 10 besten Rollen rauszusuchen, aber The Hollywood Reporter hat es trotzdem mal versucht und eine tolle Liste erstellt. Kann ich auch eigentlich nicht widersprechen, wobei mir Camp X-Ray und Speak auf der Liste fehlen.. :) 

  1. Into the Wild2007Courtesy of PhotofestTwo years before the Twilight saga would make her a household name, Stewart turned her brief scenes in this Sean Penn-directed feature into mesmerizing jolts of teenage grace. As a child of latter-day hippies, she flirts fearlessly with Emile Hirsch’s hitchhiking adventurer and sings an achingly lovely "Angel From Montgomery." “You’re pretty magic,” he tells her, and it’s not hyperbole. — S.L.
  2. On the Road2012Courtesy of PhotofestLike its source material, Walter Salles’ Beat Generation memory piece is fueled by testosterone as much as by poetic spirit. Stewart’s Marylou, the extravagantly uninhibited 16-year-old bride of Neal Cassady stand-in Dean Moriarty (Garrett Hedlund), more than holds her own with the boys. But her heart-stopping reaction to a stranger’s high lonesome crooning reveals a piercing longing beneath the Squaresville-scorning wildness. — S.L. 
  3. Equals2015Courtesy of IMDB/Jessica FordeStewart covers the full emotional range from drug-sedated, white-suited robo-citizen to rebellious romantic outlaw in Drake Doremus’ ravishingly stylish sci-fi romance about a dystopian future where sex and love are banned. K-Stew’s intense performance is a miniaturist master class in suppressed lust and furtive glances, all topped off with fabulous gamine hair. — S.D.
  4. Cafe Society2016Lionsgate/PhotofestThough Woody Allen’s 1930s-set romantic drama comes alive only fitfully, it perfectly showcases Stewart’s singular combination of real-girl grit and movie-star magnetism. With the seductive pull of a silent performance, her portrayal of an agent’s assistant in Golden Age Hollywood burns with understated emotion and rueful self-knowledge. — S.L.
  5.  Still Alice2014Courtesy of Sony Pictures ClassicsStewart shares a compelling chemistry with one of the greatest screen actresses of the age, playing the daughter of Julianne Moore’s Alzheimer’s-afflicted professor in this moving adaptation of Lisa Genova’s 2007 best-seller from directing duo Richard Glatzer and Wash Westmoreland. Moore rightly won the Oscar, and many more prizes, but Stewart matches her in emotional heft and depth. — S.D.
  6. Personal Shopper2015Courtesy of Carole BethuelIt fiercely divided Cannes audiences, but Stewart is still spellbinding in her hasty reunion with Clouds of Sils Maria director Olivier Assayas. This time emphatically playing the lead, the young star dominates almost every frame in this Paris-set ghost story, a delightfully unexpected sideways swerve into supernatural suspense. — S.D.
  7.  Welcome to the Rileys2010Courtesy of Argonaut PicturesHungry to shake off her one-dimensional Twilight image, Stewart went full grungecore as a ragged teenage prostitute with a chaotic past in director Jake Scott’s dysfunctional family melodrama. The armchair psychology is heavy-handed, but the emerging young star proves her acting chops opposite Method-level heavyweights James Gandolfini and Melissa Leo. —S.D.
  8. The Runaways2010Courtesy of PhotofestWith her fluid sexuality and bad-ass reputation, K-Stew was a natural to play proto-punk rock goddess Joan Jett in this juicy biopic about those original L.A. riot grrrls The Runaways. Former music video director Floria Sigismondi glamorizes the sleaze, but Stewart’s layered performance conveys the backstage hurt beneath the hedonistic excess. — S.D.
  9. Adventureland2009Courtesy of PhotofestAs one of the smart, broody college kids enduring summer-job purgatory at a Pittsburgh amusement park, Stewart is the emotional linchpin of Greg Mottola’s low-key coming-of-age comedy. Her character is caught between the attentions of two co-workers, a philandering Ryan Reynolds and a virginal Jesse Eisenberg, and the performance deftly navigates the fine line between enviable composure and raw vulnerability. — S.L.
  10. Clouds of Sils Maria2014The mystery at the heart of Olivier Assayas’ high-altitude spellbinder is not the self-dramatizing doyenne of stage and screen played by Juliette Binoche but her personal assistant — whip-smart, increasingly restive and brought to BlackBerry-juggling life by Stewart. In a compelling performance that never hits a false note, her every knowing glance and exasperated silence fascinates. — S.L.

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Personal Shopper - Q&A, 6. Oktober

Man kann sagen, Kristen ist definitiv auf den Geschmack von Blazern gekommen.. und zwar, nur Blazer ;) Denn zum Q&A von Personal Shopper am Donnerstag trug sie als Oberteil nur einen schwarzen Blazer, dazu eine gelbe lange Hosen. Wer sich erinnert, ein ähnliches Outfit hatte sie auch schon 2012 in Cannes an - und damals waren wir schon begeistert!
On the Road Press Conference, Mai 2012



Videos zur Fragerunde gibt's leider keine bzw. nur kurze Ausschnitte, aber The Hollywood Reporter hat all das Gesagte auch schriftlich festgehalten. Den kompletten Artikel könnt ihr nach dem Klick lesen.

In Personal Shopper, Kristen Stewart plays Maureen, a high-profile assistant who also half-believes she's in contact with her late twin brother. But the Paris-set ghost story is a universal one, as the supernatural interactions parallel the widespread use of social media."Maureen wants to be entirely invisible and at the same time wants to be really seen — she really struggles with that, and that's pretty much everyone right now," she explained after a New York Film Festival press screening on Thursday. "I don't hide anything, and I don't have any public social media engagement, but I ultimately want to be seen. It's weird — we think we have more control over that now than we've ever had because we have it in our hands, but we have none. I don't know, this weird preoccupation with other people that is so unbelievably distracting. Much cooler productive things could be happening. I know I sound ridiculous; everyone says this and I sound like an older person, but we could be doing way cooler shit. It's so time-consuming.""You're totally alone when you're doing it, and it gives you this false impression that you're connecting or something," she continued. "The base desire of it is to get closer to other things, but then it's like, 'I change myself to then get closer to other things, I could do research to make sure I do that properly and cultivate my tastes based on knowing everything and how everyone is, and now I can be what I need to be to get close.'"One scene in Olivier Assayas' psychological thriller has Stewart pleasuring herself while texting the other-worldly presence. "Literally, Maureen is interacting with something on a phone, and my heart started racing," she said of shooting the scene. "Some of the sexiest shit I've done onscreen I'm alone! Oh my god, that is crazy, and that's what people do all the time — such massive disconnection, yet you're just fabricating a wonderful reality."Assayas noted of crafting the titular character, "She's like any one of us — she spends a lot of time with her phone. The film is very much about loneliness, and our loneliness is incredibly populated. There's so much happening in terms of what we interact with — ideas, people we know or don't know via social media. … It has to do with how images and modern means of communication invade us and invade our lives."So does Stewart believe in ghosts? "If it's real for you, then what the hell else is there? There's so much that we don't see that we know to be true," she answered. "I don't know what the f— energy it is, but there's something that doesn't go away, and whether I'm making that up or I'm actually being left with some residual debris, I feel people f—ing intrinsically. I think it leaves shadows."
1 

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An Evening with Kristen Stewart - 5. Oktober

Kristen ist mit ihren 26 Jahren die jüngste Schauspielerin, die jemals auf dem #NYFF mit dieser Ehre ausgezeichnet wurde. Die Veranstaltung nennt sich jährlich "An Evening with.." und ehrt große bedeutende Schauspieler und Schauspielerinnen der letzten Jahre. So durften auch bereits Hollywoodgrößen wie Kate Winslet, Ralph Fiennes & Cate Blanchett diesen Abend erleben.

For the past few years, Kristen Stewart has been quietly amassing an impressive body of work, starring in enigmatic roles in complex films, including the NYFF52 selection Clouds of Sils Maria, directed by Olivier Assayas, for which she became the first American actor to win the French César award. This year feels like a culmination of this extraordinary phase of her career: she starred in five movies in 2016, the best of which are featured at NYFF: Assayas’s Personal Shopper, in which she appears in nearly every shot; Kelly Reichardt’s Certain Women; and Ang Lee’s Billy Lynn’s Long Halftime Walk. All three films speak to an actor constantly willing to challenge herself and her fans.

Hier das offizielle Videos des Abends.
Am Mittwoch also wurde ein kompletter Abend nur ihr gewidmet. Es gab einen kurzen Photocall, ein leckeres Dinner (bei dem die Tickets übrigens so 750 $ kosteten) und ein langes Interview mit Kristen. 
Ihr Outfit war natürlich sehr Kristen-like, sie trug einen schicken Anzug von Cinq à Sept. Diesmal hat sie ihre Haare wild und leicht geflochten am Hinterkopf zusammengesteckt, aber wie so häufig einige Strähnen raushängen lassen.



Und ein Interview mit Kristen auf dem roten Teppich.

und nach dem Klick wie immer noch weitere Fotos!
Die komplette Gallery gibt's hier: Source





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NYFF - Certain Women Q&A

Jetzt komm ich selber schon durcheinander mit dem zeitlichen Ablauf.. ^^ Dieses Q&A, eigentlich auch eine Art Pressekonferenz, da viele Journalisten anwesend waren, war am Vormittag des 3. Oktobers und vor der Premiere - ist ja auch eigentlich wurscht :D Auf jeden Fall gibt's ein komplettes Video, woohoo!

Offizielle Fotografen waren anscheinend nicht erlaubt, somit haben wir "nur" ein paar Instagram Posts.

 Aber Kristens Ankunft am Kino wurde, natürlich, dokumentiert - sie trug ihr geliebtes weißes Crop-Top-Shirt, gemusterte Shorts und schicke Schuhe. Kann man eigentlich ganz easy nachstylen (Schade, dass der Sommer vorbei ist..)

Bilder via ImagebamBrooklynVegan & Clayton Davis 

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New York Film Festival - Certain Women Premiere - Interviews

Premieren bedeuten Interviews. :) Kristen spricht natürlich über den Film, über die Arbeit mit Kelly Reichardt und wie sie ihre Rollen aussucht.

Associated Press

 ET Canada
 

 Behind the Velvet Rope

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Großes Kristen-Interview im W Magazine

Das W-Magazine, vielleicht erinnert ihr euch, waren auch die, die 2011 dieses gewaltige Photoshooting mit Kristen umgesetzt haben:

Nun gibt's ein sehr lesenswertes Interview bzw. einen langen Artikel über Kristen. 
KRISTEN STEWART, UNFILTERED AND UNAPOLOGETIC
To say 2016 is treating Kristen Stewart well would be a gross understatement. Earlier this year, the 26 year-old became the first American to win a César award (the French equivalent of an Oscar) for her performance in Olivier Assayas’s filmClouds of Sils Maria. Since then, she has starred in no less than five movies, including Woody Allen’s Café Society and the dystopian love story Equals. And at theNew York Film Festival at Lincoln Center right now, she appears in three projects: the sister of a soldier returning from Iraq in Ang Lee’s Billy Lynn’s Long Halftime Walk, a celebrity assistant and medium mourning the death of her twin brother in Assayas’ metaphysical thriller Personal Shopper, and a Montana lawyer-cum-teacher who captures the affections of a lonely rancher in Kelly Reichardt’s Certain Women (opening October 14th).
On a balmy fall day, Stewart, whom Assayas recently deemed “the best actress of her generation,” sits in a hotel room nursing a cold and speaking in a fast-paced stream of multi-clause, expletive-dappled sentences that suggest her mouth can barely keep up with the thoughts racing through her head. Dressed in a biker jacket, white tee and tweed short shorts, she seems as unfiltered and candid as the often raw image she projects onscreen.Your character Beth in Certain Women is a bit of a cipher. We only really see her through the lens of someone else [Jamie, the rancher]. What was the draw for you in that respect? And how do you approach someone who is unknowable to the audience?There is a remoteness that I had to step outside of myself to acquire. Certain characters that you play can either reveal aspects of yourself that just aren’t apparent to you until you go, “Oh wow, I do have a bit of that.” [Beth] is somewhat at this stage of her life [where] she’s not giving a whole lot to other people. She’s had to insulate [herself] and not in a malicious way, but I think she’s super fucking self-absorbed, you know what I mean? So tired and self-protective. Beth is super... not cagey, but very quietly guarded. And I think her presence is somewhere inside. Which is to me, I’m, like, splattered. I’m completely not like that. She’s quiet, she’s really still, she’s exhausted and totally desirous of something she feels like she’ll never have, which to me is validity. She wants to feel valid. I think that’s a through line in the movie. They all want something they can’t have. Or they’re all up against an immovable object. They’re all on a grind. And it’s not self-aggrandizing. It’s not like a more typical commercial female story where it’s like, “These women are fighting for a great cause and it’s moral.” It’s small. They are stories you wouldn’t typically focus on — they’re not mundane, they’re so beautiful in their regularity. There’s this opposition to structure, the way things are. You have one woman [played by Michelle Williams] in a marriage who’s obviously toying with the conventional dynamic of that or messing with it. And then you have one woman [played by Laura Dern] who is acknowledging the illogical nature of bureaucracy and how men don’t really listen to women when they speak in that environment. And then you have a girl who just wants a friend and is looking in the wrong place. And then a girl who just wants to be fucking valid and is looking in the wrong place. And nobody really resolves anything. None of them. [Kelly Reichardt] shows you this quiet struggle and it’s over. And that’s so true to life. Not all things worth making a movie about find a resolution. Or, not all things worth making a movie about are easy to describe in a slug line. It’s so hard for me to tell people what this movie’s about. Like, I don’t know, women in Montana? Like living there? Living lives?Jamie may be looking for a friend in Beth, but there’s also an undercurrent of romance there.
She’s not quite sure how she feels about her, but she has a crush on her, for sure. And doesn’t know why she feels so weird around her.Do you think Beth has any clue whatsoever to the impact she has on Jamie?
I genuinely think when [Jamie] comes to her [office] at the end, that she’s like, “What the fuck.” It’s so painful. Oh man, it’s so fucking painful. It’s not an unrequited love story, but it has the gut-punching effect of one. [Lily Gladstone, who plays Jamie] is so good in that scene. And it’s so small. She doesn’t do much of anything, it’s just, “Well, I knew if I didn’t start driving I’d probably never see you again.” And I’m like, “Yeah… bye!” It’s fucking terrible! It’s like, 'Aww, man!' I really don’t think that Beth ever looks at her. I barely look at her. I’m looking at my food, I’m looking at my phone, I’m wondering what time it is, I’ve gotta get in the car… and I usually play the person who’s quietly watching someone.I was thinking that when I was watching it and wondering if that was tough for you to be the one who’s…
… Talking shit! Yeah, it’s painful. It’s weird because as an actor, most of my experience has been just being incredibly observant and it was weird to have to shut off and recede into myself. But not in the way that I normally recede into myself. This was a receding that was cold — it was really cold. I feel bad for people like that. Something’s going to happen to Beth and she’s gonna realize how deeply she’s buried herself inside and she’s not just okay with everything.Kelly’s films are so, so quiet. So little happens, but so much happens. You’ve been in much bigger, more demonstrative films and roles. What was it like to work with a director whose aesthetic is so quiet?I love her movies. I think they don’t feel like anybody else’s movies. It’s super vulnerable to do nothing on screen or on a set. Most actors, you just grow accustomed to showing stuff. You show people how you’re feeling. You tell a story. And in this case it’s just so much more vulnerable and telling when you just sit in something. She’ll roll for a really long time; the takes go on forever. There is something really beautiful about mundane things. And there’s something really, really beautiful about living. You can write a story and then really deliver it to someone, but that in itself isn’t true. So the only way to capture something that feels super authentic is to sit around and wait for it to happen. Most people don’t have the patience for that, most people aren’t willing to take risks like that. It’s a risk. And she really does create an environment and instills it with this faith. She allows you to be comfortable not being in control in any way. There’s no expectation. Usually on a movie set you have sides, you have scenes and marks on the floor, and there are things that are supposed to happen by the time we call “Cut!” And for her it’s just not like that. And what you end up seeing is people just living.In Certain Women, you’re part of a very small slice, whereas in Personal Shopper you’re in practically every scene. How exhausting was the a role of Maureen? She’s going through so much emotionally.
It was a lot. I had just finished Café Society in New York, which was lovely, just fun. But still somewhat taxing. I didn’t have a day off in between. I got on a plane and we were shooting two days later. I think we kind of grossly underestimated the workload. The movie ended up being really fucking hard. We worked six-day weeks, 16-hour days. And it’s good because you have to earn that look. I look like I’m fucking so exhausted and crazy in the movie, which is so perfect! Traumatic loss, especially for someone who is already too neurotic and contemplative and contemplating infinity — but a traumatic loss like that, especially the death of a twin... She cannot make sense of any of her existential questions. Nothing has an answer and she’s not okay with it. For anyone who’s dealt with anxiety or just been not able to process space and time and having a physicality and a soul and all those basic questions — “Are we alone?” and “Is this fucking real?” — those questions are scary, but they’re ones you kind of push down. This is a movie about somebody who has lost herself completely to a point where those things are debilitating. And god, that would suck. I’ve gotten — not close to that, but I can understand that mental struggle. But I’ve never hung so low. So that was isolating and terrible, and also I never stopped running around. It was freezing fucking cold and lonely. She’s the loneliest person I’ve ever played. She’s completely fucking alone. She’s isolated herself utterly. And it’s sad. And then [she] has weird identity issues? She’s like, “I’m attracted to those things, but I don’t respect it.”Yes, she has a tough relationship with all of the high-end fashion she pulls for her celebrity client. On the one hand, she’s enthralled by it; on the other, she’s scared of it. I’m curious how that plays out for her, but also how it plays out for you. You’re someone who is in the world of fashion, modeling for Chanel, but it doesn’t define you. How do you feel about dipping your toe in there and then stepping back out?
In fashion, the people who do it really well and love doing it and are naturally doing it, it’s the reason they’re the most successful ones doing it. Because they’re fucking artists, man, and one of the coolest things about my job is being able to be around other people making shit. And it’s not what I do. But it all kind of comes from the same place. So for me it’s fun to be a part of someone’s vision. It’s something I’ve always enjoyed. And, not to sound ridiculous, creating iconic images that say something. I know it sounds silly, but telling a story with a garment, putting it in the right environment, walking it the fuck around correctly — it’s beautiful to me. And also these people, they’re really fucking smart. Everyone that works at Chanel and all the costume designers I find to be beautiful artists are some of the coolest people I’ve ever met. It’s not what I do, but I love to be around it. So it just works out for everyone. But I also acknowledge and fucking disdain the other aspect that that world attracts, which is fucking blatant... not just superficiality, but, like, mean people. Fucking really aggressive c---ts! I’m sorry. Really aggressive people. People who would walk over your dead body. So those people are not artists. But that’s why fashion gets a bad rap. But it’s a pretty diverse world, I have found. But in the movie, [Maureen] loves that shit. She really, really admires it. And at the same time, doesn’t think she’s worth it. And is like, 'What the fuck am I thinking? Why do I think I could ever…?' But then is so obsessed with it. And then looks at herself and is like, 'I’m not that. I want to be that. But I will never be that.' So then she resents it and calls it bullshit. But wants it.You mentioned vulnerability earlier with regards to working with Kelly. There’s a different kind of vulnerability in Personal Shopper, in terms of your nudity, the sex scene. Was that something you hesitated on at all?I wasn’t apprehensive. I feel super great with director Olivier [Assayas], as well. The scenes in which I don’t have clothes on or the scenes that seem "risqué" from an outsider’s perspective, there was no acknowledgment on his part. They’re very fucking French. We are weirder about shit like that. You kind of have to take yourself personally out of it. My personal feeling about that is that I’m really unashamed, but within the context of the story, there’s a lot of shame. She lives and breathes fucking shame and guilt. And so it’s kind of nice to see someone stripped and bare, totally bare. There’s a strength in it. There’s an aspect of sexuality in the movie that’s so lonely and that is just one of the saddest things. She’s not with anyone. Like the sex scene? Totally alone. She’s interacting with a fake person on a phone. And there’s just something so fucking raw about it, and without that stuff it would be a different thing. I think people are way, way, way too precious about that. It is precious, that’s probably the wrong word to use. I still want women’s bodies and the way they want to reveal them, it should be a precious thing, I don’t want to de-sexualize it in some way. But at the same time, I’m not weird about it. I’m pretty open. I think people are a little too fucking weird about it, to be honest, but that’s kind of why I was like, “I’ll do it.”You alluded to anxiety earlier on when you were talking about Maureen’s existential questioning. And you’ve spoken before about your anxiety issues. Being an actress and growing up in front of everyone the way you have is probably the worst thing a person who is anxious could do. It seems almost masochistic.
I am so fucking masochistic.
So has that anxiety abated for you? And what keeps driving you? You’re basically doing something that, as you’ve described it, is against what your nature would want of you.
It is. It really is. Honestly, I haven’t done a press day in a while and this is great and I’ve really enjoyed this. This is totally fine. But this morning I was like, “Fuck!” I really have to push myself. On a constant basis, I’m always like, “Okay, fucking just do this!” I feel that way about projects I choose. There’s one movie next year that I’m going to do. And I talked to the director the other day and I was like, “It’s really weird, I read the script and it’s so fucking easy for me, I should do it.” But then alternatively, there are parts where I’m like, “Oh god, this is gonna kill me.” And that’s what I’m most excited about. That’s when I really get amped.Quelle: www.wmagazine.com 

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Kristen auf dem New York Film Festival - Certain Women, Teil 1

Wie von uns schon angekündigt, gibt's heute die volle Dröhnung Kristen-Posts! Seit Montag ist Kristen in New York, um auf dem sehr beliebten und wichtigen New York Filmfestival, kurz #NYFF, ihre 2 bzw. mit Billy Lynn nächste Woche, sogar 3 Filme vorzustellen. Dies umfasst nicht nur Premieren, sondern auch immer sehr schöne Q&As, Dinners, Talkshows und natürlich viele viele Fototermine :) Dazu aber später mehr.

Um die vielen Ereignisse wenigstens ein bisschen zu ordnen, werden die Posts nach Film sortiert kommen. Angefangen mit Certain Women, dann Personal Shopper und zum Schluss noch ein paar "dies-das-Posts". Einverstanden?

Am Montag, 3. Oktober, ging's los mit der Premiere zu Certain Women. Letzte Woche zeigte sich Kristen ja mit ihren neuen platin-blonden Haaren. Wir waren sowohl von der Farbe, als auch von dem Styling nicht hellauf begeistert.. Glücklicherweise ist der orangen-gelbe Farbstich nun aus ihren Haaren verschwunden! Ihr Haar trug sie im sehr engen Seitenscheitel, sodass man fast meinen konnte, sie hat sich ihre Haare nochmals abgeschnitten - aber ein Glück nicht ;) Die Frisur wirkte zwar etwas streng, aber passte super zum wirklich supertollem Outfit! 
Kristen trug einen weinroten Blazer + Hose von der Marke "Sandro". Rot steht ihr generell echt toll. <3 Nur den Blazer als Oberteil zu tragen ist zwar sehr gewagt, aber Kristen kann es definitiv tragen, ohne dass es nuttig aussieht (wenn ihr versteht, was ich mein ^^)
Auch das recht dezente Make-Up und die knallroten Lippen sahen schick aus - Applaus an Kristens Stylistin & Make-Up Artisten! 
FRAUENPOWER indeed! Kristen mit ihren Co-Stars Michelle Williams, Laura Dern & Lily Gladstone. Vorne steht Regisseurin Kelly Reichardt. 

2 Ikonen der Indie-Film-Szene: Michelle Williams & Kristen <3
Und nach dem Klick gibt's noch einen Haufen weiterer toller Fotos der Certain Women Premiere.














Wie immer Chapeau & Dank an Adoring-KStewart 

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Kristen bei der Today Show - 4. Oktober

Stellt euch jetzt also vor es ist Dienstag, der 4. Oktober :) Kristen war zu Gast bei der Today Show. Die Ausstrahlung gibt es erst am Montag, aber immerhin können wir euch schon zeigen, wie Kristen aussah; nämlich sehr sehr süß. So find ich ihre Haare am schönsten. Leicht gewellt und offen. <3

Diese hochgezogenen Socken kann auch echt nur Kristen cool aussehen lassen :P

 Die Sendung besuchte sie gemeinsam mit Laura Dern.

Anscheinend wollten die Moderatorinnen sie auch nicht ohne ein gemeinsames Gruppenfoto gehen lassen :)
Bilder via KStewartNews

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Trailer zum New York Film Festival

Die amerikanischen Filmfestivals folgen gerade dicht aufeinander und Kristen bzw. die Filme in denen Kristen mitspielt sind fast immer vertreten - sie hat ja auch ein Glück so viele tolle Projekte! :)

Auf dem diesjährigen 54. New York Film Festival, welches am 30. September beginnt, wird sowohl Kristen als auch Rob vertreten sein! Robs neuester Film "THE LOST CITY OF Z" wird zum 1. gezeigt, was uns besonders neugierig macht und wir auf tolle Kritiken hoffen. Kristen ist gleich mit zwei Filmen vertreten: "CERTAIN WOMEN" und "PERSONAL SHOPPER". Für beide Filme ist bereits ein Q&A bestätigt, bei dem Kristen auch dabei sein wird - Yay!! Rob kommt hoffentlich auch zur Premiere..!

Alle Bilder zum Schutz vor unserösen Abmahnern entfernt!

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